In May, I’m directing a reading of Catherine Bloom’s Little Hugs, Tiny Kisses with Theatre [Untitled] as part of their Working Sessions program.

This March, I’m directing the world premiere of Lisi DeHaas’ The Slow Dance at 59E59. Tickets are on sale now here.

This fall, I’m directing Sam Giberga’s new play Holy Week with the Mason Gross School of the Arts MFA Playwriting program at Rutgers University.

I’m heading to Sarasota, Florida to direct a reading of Kate Douglas’ play The Apiary as part of Urbanite Theatre’s Modern Works Festival. Click here for tickets and more information about the full festival lineup.

I spent the week workshopping Mallory Jane Weiss’ spectacular play BIG BLACK SUNHATS, which was a finalist for Clubbed Thumb’s 2020 Biennial Commission. Our fantastic cast was comprised of Daniel Abeles, Kathleen Chalfant, Seth Clayton, Alma Cuervo, Daniel K. Isaac and Mia Katigbak.

I’m heading up to the O’Neill to dramaturg Mallory Jane Weiss’ BIG BLACK SUNHATS as part of the National Playwrights Conference.

This winter, I’m directing Nadja Leonhard-Hooper’s The Collision and What Came After, or, GUNCH! produced by Two Headed Rep and presented by 59E59. The Collision will run in rep with The Martyrdom of the Holy Virgins Agape, Chionia, and Irena, by Hrotsvitha the Nun of Gandersheim, as told throughout the last millennium by the men, women, scholars, monastics, puppets, and theater companies (like this one) who loved her. Or: DULCITIUS.